Try turning voices to 2 and see what that sounds like - not so nice to my ears. The transient is happening again, but at a different time, and in place of the decay of that first ableton sample. The second note's pitch and timing has a huge affect on the overall tone, and "room" of the clap, and because the number of voices is set to "1", it cuts off that first note, so there are no phasing issues. Press play and take a listen - it should sound great! Try experimenting with the distance in between each of the two notes, and the second note's pitch. The purpose of removing the grid is so that you can create smaller delay times between your samples.ĥ. Do the same for the note at 1.4, but try a note two steps below, and slightly later. Draw another midi note slightly after and 4 steps above the note at 1.2. Exit "Snap to Grid" mode by pressing command + 4. We will be drawing in our clap - place a midi note exactly on the 2nd and 4th 1/4 notes of the bar, at the root key of your sampler (meaning your sample will be unpitched here). Change the number of voices to 1 in the bottom right section of the drum sampler. Shown below are my default drum sampler settings.ģ. Create a new sampler instrument and drag your Ableton samples (use a clap for this example) into the zone area.Ģ. Below is a great technique to keep your drums dry, but make them hit a bit harder and find a space within your mix.ġ. The first process will show you how to create various "rooms" for your drums, without resorting to reverbs, which can often take up too much space in a mix, or make your drum sounds too soft. In fact, with the below technique, you technically are not even layering your drums, as the sounds never play at the exact same time! Use the Same Drum Sample at Various Pitches It is based on the general concept that you do not want all of your transients hitting at the same time (more on this later). While the above technique may sometimes work for adding high and low kicks together, the purpose of this tutorial is not intended for kick drums, but for claps, snares, hi hats, and percussive drum samples. While many people (myself once included) may think that layering samples is as straightforward as putting two samples on top of each other, this is far from the truth, (and often this can actually create unwanted phasing issues). Layering Ableton samples is a great way to add stereo imaging, loudness (while maintaining headroom), and space for your drum samples without using external plugins such as reverbs and delays. How to Layer Ableton Samples to Achieve Depth
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